Everything Must Go You can surely tell 'Everything Must Go' has been passed through Dan Rush's editing bay one too many times. Hollowness over substance is the norm as the whole film looks like what someone might vomit up after partially digesting Natarajan Subramanian's digitized footage. Eldridge Rodrigues' insistently fussy and grandiose production design mistakes extra-crisp textures, brilliant colors and high contrast backdrops for story atmosphere and style. Yes it's boring as hell, but liquor-fueled methods do not compensate for distinct lack of substance.
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